Autograph is looking for a Full Time Archive Manager to help undertake a programme of work to catalogue and care for their unique photographic collection, as well as assess the potential to achieve accreditation.
Since its foundation in 1988, Autograph has been collecting and archiving material which reflects its mission to use photography to explore questions of cultural identity, representation, social justice and human rights. Autograph's archive contains digital and analogue assets dating from the 1860s to current day and includes work commissioned from significant contemporary artists and photographers. The archive features the work of renowned fine art practitioners, social documentary photographers, vernacular family photography and high street studio portraiture, material around the Windrush generation as well as the earliest examples of black people photographed in the UK during the Victorian era.
Do you have strong technical and practical project management experience of managing and caring for culturally significant archive assets? This could be your opportunity to work with a collection covering key periods in the formation of diasporic communities in Britain, including circa 5,000 prints, more than 10,000 negatives, and several thousand digital and analogue contact sheets (plus related ephemera), and a large digital archive.
Deadline for applications: Friday 4 May 2018 by 5pm.
The Brunei Gallery will be exhibiting the first London Exhibition of Scottish photographer John Thomson to encompass his 10 years in Asia. Thomson’s photography across China, Siam (Thailand) and Cambodia was widely praised by his peers and continues to enthuse new audiences today.
John Thomson (1837–1921) began his travels in Asia in 1862 and his photographs of his journey form one of the most extensive records of any region taken in the nineteenth century. Thomson's photographs were were taken only two decades after the invention of photography and working with the wet collodion process he travelled with cumbersome crates, glass negatives, a portable dark room, as well as highly flammable and poisonous chemicals.
Thomson's photographed subjects including King Mongkut Rama IV, his royal family and entourage, Angkor Wat, the Chao Phraya River, temples and monks, dancers and musicians. Thomson's role as a pioneer of photojournalism is marked by his desire to present a true to life representation of the people of Asia, whether this was the rich and famous or this was people working on the streets.
His collection of 700 glass plates travelled back with Thomson to Britain in 1872 and since 1921 has been housed and preserved at the Wellcome Library, London. The extensive collection of photographs will be exhibited alongside a selection of Qing robes, textiles and Siamese court objects.
The exhibition opens on the 13th April at the Brunei Gallery SOAS, University of London and continues until 23th June.
Admission is free.
On the 11th of April, a day long workshop lead by Gemma Almond will take place at Swansea University. The workship will focus on the subject of the eye and of vision from both a contemporary and historical perspective. As an often provoking subject, vision has been at the centre of society and culture for its various medical, social and cultural meanings. Gemma will explore how these views have influenced how the eye is perceived, through the ways that the symbolism of vision, or lack of, has been perceived.
Registration for the event is free, and a select number of student bursaries for travel and accommodation are available thanks to the support of the AHRC CDP Student Led Activity Fund and the Royal Historical Society (please express your interest on the booking form and contact Gemma Almond for details.
On until Sunday, 22 April 2018, The Victoria and Albert Museum present Trees in Photography, a display as party of their Into the Woods series to mar the 800th anniversary of the Charter of the Forest and the launch of the 2017 Charter for Trees, Woods and People. Including work by 40 photographers including Paul Strand, Robert Adams and Henri Cartier-Bresson, the display explores the ways in which trees have been displayed from the emergence of photography in the mid-19th century from botanical records to creative expression.
From the V&A Website:
Trees were among the first photographic subjects collected by this Museum as a learning resource for artists and designers. The V&A has continued to acquire photographs of trees in various contexts: within landscapes and forests, as lone subjects, in relationship to humans, in rural and urban settings, and as symbols of cultural significance.
More can be found out here.
The Jerwood Charitable Foundation and Photoworks have collaborated in this exhibition, The Jerwood/Photoworks Awards. The three photographers featured in the exhibition Alejandra Carles-Tolra, Sam Laughlin and Lua Ribeira were selected from a national open call of over 350 applicants. The Awardees were commissioned through the awards to produce new work as well as benefitted from a year’s mentoring from internationally-renowned specialists including photographer Mitch Epstein, publisher Michael Mack, and gallerist Maureen Pale. The awards are supported by Arts Council England and Spectrum Photographic.
More can be found about the exhibition and the photographers work here.
Featuring over 100 photographs from the archives of Tony Ray-Jones, David Hurn, Simon Roberts and Martin Parr as well as new work from Martin Parr, 'The Great British Seaside' celebrates all aspects of British seaside life.
From the RMG's website:
Examine the ambiguities and absurdities of seaside life through this major exhibition of over 100 photographs. All four photographers share a love of the seaside which reveals itself in playful and often profound representations of the British by the sea while still bringing their own distinctive take on the seaside experience. Ray-Jones gives us a social anthropologist’s view, Hurn’s is a nostalgic love letter to the beach, Parr provides an often-satirical examination of class and cliché while Roberts explores our collective relationship with, and impact on, the coast.
For more information and to book tickets click here.
The last chance to apply for the chance to work with Tate's collection of international photography through acquisitions, gifts and bequests as well as leading the strategy for representing photography in the programme; researching, developing and curating exhibitions and collection displays.
Tate are looking for an experienced curator or specialist with an expert knowledge of modern and contemporary art with a particular specialism in photography, supported by a relevant post-graduate degree.
If you think this sounds like you then applications and more information about the poisition can be found here.
Working with one of the largest, richest and most diverse research collections, you will use your specialist knowledge of South Asian art history and archaeology to carry out cataloguing and collection management projects relating to prints, drawings and photographs and associated ephemera.
This section’s remit expands to managing the former India Office collection of Prints, Drawings and Photographs as well as other major visual collections in the Library including the British Library Works of Art (Contemporary British Art), Kodak archive and Fox Talbot collection.
Closing date: 22 April 2018
Interview date: Week Commencing 14 May 2018
To apply click here.
Thresholds is an ongoing touring exhibition that restages the world's first major exhibition of photography in a fully immersive experience, in which vistors can walk freely around a digitally reconstructed room. The exhibition transports vistors back in time to 1839, when British scientist William Henry Fox Talbot presented his photographic prints to the public at King Edward's School in Birmingham.
More information on the exhibition and future venues and tour dates can be found here.
Tickets for the Seminar Day of the world premier of Do Not Bend: The Photographic Life of Bill Jay, in conjunction with RRB Photobooks, are still avaliable.
The day will take place on Saturday 21st April from 9.30am to 4.00pm at Martin Parr Foundation in Bristol. The day will include talks from John Myers, Marketa Luscacova in conversation with Ken Grant, Peter Mitchell, Sirkka-Liisa Konttinen and David Hurn in conversation with Martin Parr.
Tickets can be purchased here.